艺术时间诗学是当代文艺学的一个重要研究范畴，巴赫金作为20世纪知名思想家和文论家，其"时空体"理论（即赫罗诺托普理论）对中国诗学、语文学和符号学等人文学科的影响也是巨大的。本书力图将此两种理论对接起来，在欧洲文化史的语境下探讨文艺创作和文艺学中的艺术时间问题，可算作对当代中国艺术时间诗学研究和巴赫金研究的一个重要补充。
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