本书将弗拉哈迪影片置于广义电影史的框架中,结合其具体作品及其风格演变过程,在一个开阔视域中,探讨弗拉哈迪对于当代世界电影的"原型"意义,探究弗拉哈迪纪实美学对20世纪电影包括中国电影的深远影响。与此同时,通过考察弗拉哈迪的创作实践,反思纪实语言的伦理、美学困境,探讨纪实与虚构结合的可能性。
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