September 23, 2002
"In this faithful retelling of the classic tale, Pinkney transports the heroine from Andersen's European setting to the bustling city streets and crowded tenements of early 1920s America," said PW
in a starred review. "Pinkney's vision proves as transcendent as Andersen's." Ages 5-up.
Starred review from October 4, 1999
A faithful retelling of a classic tale, dramatic snow-speckled street scenes and luxuriantly thick pages all earmark this picture book as a volume to be cherished. Pinkney (Going Home) transports the eponymous protagonist from Andersen's European setting to the bustling city streets and crowded tenements of early 1920s America. Aching with cold and desperate to earn money for her impoverished family, the young ragamuffin vendor will surely call to mind the plight of homeless people, familiar to so many contemporary children. The warm, comforting visions (a sumptuous feast, a twinkling Christmas tree, her late grandmother's loving face) that appear to the girl as she slowly burns through her wares shine bright as day in Pinkney's vividly detailed ink-and-watercolor compositions, as finely wrought as his admirers expect. The girl's cherry-red babushka and the fancy garb of harried passersby offer contrast to the stark gray sidewalks and brick buildings. The story's haunting death imagery--the girl slumped and frozen, her spirit soaring toward peace--may disturb the very young, but ultimately Pinkney's vision proves as transcendent as Andersen's. Ages 5-up.
September 19, 2005
Bell (The Little Mermaid
) renders Andersen's story with painful vividness, resisting the urge to draw attention to her own prose. Instead Pacovská's stark expressionist plates dominate the pages. An éminence grise among European illustrators, she fully exploits the media in which she works. Collages overlaid with pastel and felt-tip pen, printed on heavy, glossy stock, represent elements of the Little Match Girl's story. Her life unfolds as bold red–scribbling, terrifying chaos. Her frozen feet are white lines on black, while smaller drawings experiment with other deceptively simple ways of drawing feet and matches. A little red "WHoosh!" taped into a narrow gap between blocky, steel-gray apartment buildings indicates where she sits; later, a shooting star foretells her death. The star falls across a full-bleed spread, its path on the left page stenciled into shiny silver foil, like a lake or a mirror; the right-hand page depicts a series of pastel smudges arranged in a grid that seem to stand for the tears and dirt on the Little Match Girl's face, but also resemble an artist's palette. With smaller fragments of silver, the star strikes the heroine. Every page contains a similar shock, a moment of alienation, and yet viewers will likely feel the rightness of these images for one of Andersen's most disturbing stories. This rendering will be best suited to those who know the tale well and can appreciate this intellectual, abstract presentation. All ages.
September 23, 1987
Andersen's tale about a little girl who's afraid to go home because she hasn't sold enough matches is a classic. The little girl, bareheaded and barefoot, curls up in a corner, lighting match after match to warm herself. In the flames she sees visions; in the final one, her grandmother appears and lifts the little girl into heaven. With muted blues, grays and browns, Isadora captures the mood of a snowy Victorian winter reminiscent of Dickens's A Christmas Carol. With these illustrations, coupled with superb book design, the artist has surpassed even the splendid art in her previous books. Ages 4-8.