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Who by Fire

War, Atonement, and the Resurrection of Leonard Cohen

Audiobook
1 of 1 copy available
1 of 1 copy available

The little-known story of Leonard Cohen's concert tour to the front lines of the Yom Kippur War, including never-before-seen selections from an unfinished manuscript by Cohen and rare photographs In October 1973, the poet and singer Leonard Cohen—thirty-nine years old, famous, unhappy, and at a creative dead end—traveled from his home on the Greek island of Hydra to the chaos and bloodshed of the Sinai desert when Egypt attacked Israel on the Jewish high holiday of Yom Kippur. Moving around the front with a guitar and a group of local musicians, Cohen met hundreds of young soldiers, men and women at the worst moment of their lives. Those who survived never forgot the experience. And the war transformed Cohen. He had announced that he was abandoning his music career, but he instead returned to Hydra and to his family, had a second child, and released one of the best albums of his career. In Who by Fire, journalist Matti Friedman gives us a riveting account of those weeks in the Sinai, drawing on Cohen's previously unpublished writing and original reporting to create a kaleidoscopic depiction of a harrowing, formative moment for both a young country at war and a singer at a crossroads.

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    • Publisher's Weekly

      Starred review from December 20, 2021
      Journalist Friedman (Spies of No Country) illuminates in this fascinating tale an extraordinary chapter in the career of singer and songwriter Leonard Cohen (1934–2016) that left a lasting impact on the state of Israel. “Sometimes an artist and an event interact to generate a spark far bigger than both,” Friedman writes. As he shows here, that alchemy happened in the midst of the 1973 Yom Kippur War, when Cohen left his home to give spontaneous concerts to Israeli troops at the front lines in the Sinai desert. Drawing on excerpts from an unpublished manuscript Cohen wrote about his experiences as well as interviews with those who were there, Friedman brilliantly constructs a vivid account humanizing the young soldiers (When Cohen plays “Suzanne,” Friedman writes, “The men are quiet. They hear about a place that doesn’t have blackened tanks and figures lying still in charred coveralls”) and the singer, who, after contemplating retirement at age 39, was revitalized by the trip and went on to write his best-known works, including “Hallelujah.” Friedman also underscores how Cohen’s visit transformed the nation’s music and “spiritual life,” leading the country to abandon “the militant secularism of the founders for an openness to the old wisdom.” This demonstration of the power of song will stun fans of the legendary artist.

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  • English

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